Friday, 23 September 2011

Reckless - Australian Crawl



I might say this a lot, but I really mean it when I say that Reckless by Australian Crawl is one of my favourite songs of all time. The lyrics left me always wanting to catch the Manly Ferry to Circular Quay the next time I was in Sydney, something which is not as glamorous as this song makes it sound.

From its simple start featuring nothing but fretless bass, kick drum and a gated snare, the magic of this song is largely in the gaps between notes ; teasers, if you like, or pregnant pauses filled with anticipation. (Gosh, that's poetic for a Friday!) The bowed cello parts are complemented beautifully by a lightly plucked nylon acoustic guitar, which comes to the fore and steals the scene during the classical style solo and outro. Pure magic.

Thursday, 22 September 2011

Mary Had A Little Lamb - Stevie Ray Vaughan and Double Trouble



I was taught to enjoy Stevie Ray Vaughan by my musician father, who has every one of SRV's albums, copies of which have made it onto both of my iPods over the years. There is almost too much to say about Stevie Ray Vaughan, the roller coaster lifestyle he led and his massive contribution to modern blues guitar playing. Like many, I vividly remember being touched by the news that SRV had met an untimely death in 1990.

The guitarist in my former band was the ultimate SRV fan and it showed in his playing. On the tragic day of SRV's death, his wife set up his guitar in the lounge, arranged candles, flowers and all his SRV albums around it, creating a little shrine for the man. Apparently that was going a step or two too far (the emotions were pretty raw) but it's a story we've all dined out on for years. However, thanks to him and my father, I have an ongoing love of all his music today.

There's another story in our musical circles about the time that SRV played a concert in Wellington several years ago (still the loudest concert my father has ever been to). Another guitarist from our band insists he was jamming in The Rock Shop, or whatever it was called in those days, alongside an American guitarist who had wandered in. It turned out to be SRV himself. How cool is that!

Mary Had A Little Lamb, released in 1983, is not my favourite Stevie Ray Vaughan song but is incredibly memorable for me, my family and our bands. We played this version of Buddy Guy's arrangement as part of our fourth bracket for years for purely indulgent reasons; it was our excuse to play long and loud, with each of us enjoying a solo or two on a simple bed of twelve bar blues. Hearing it again today takes me right back to those late nights and good times. Once again, listen to this one loudly.

Wednesday, 21 September 2011

Nightswimming - R.E.M.



I went through a stage of really liking R.E.M. back in the 90s before I reached saturation point with their music a few years ago. I still occasionally enjoy spinning the odd R.E.M. album but listen to them a lot less these days. Nightswimming was released in 1993 and is so very different to the usual R.E.M. sound, which is what first caught my attention.

As a pianist, I love how this entire song is built around a single, circular piano line (and a few of its variations) played repeatedly. The string arrangement was done by the legendary John Paul Jones and Songfacts tells me that it was written and played on the same piano featured in Derek and the Dominos' Layla; that's a pretty cool.To be honest, I've barely ever listened to the lyrics or much beyond the piano part and orchestration, but I'm allowed to be biased. ;-)

Tuesday, 20 September 2011

Zoot Suit Riot - Cherry Poppin' Daddies



Zoot Suit Riot is a ska swing song by Cherry Poppin' Daddies. It is big band style swing music with a definite ska twist. In the late 1990s, swing music was yet to experience the renaissance of recent years and I remember noting this song as something distinctly different from other music of the day.

Zoot Suit Riot is more memorable than a particular favourite for me. Around the time it was released in 1997, my mother was in hospital. As she was in the process of waking up after her operation, she kept mumbling something about a bottle of beer. As someone who doesn't drink and had just had surgery, we thought this was a really strange thing for her to say. It wasn't until we'd got her home and she was listening to the radio that she said, "that's the song the doctors were listening to!". Hopefully she meant before theatre, and not during her surgery when she should have been well and truly anaesthetised!

Monday, 19 September 2011

Monday, Monday - The Mamas and the Papas



Like most people, I'm not a huge fan of Mondays. The plethora of songs lamenting the start of another week indicates that many songwriters also agree. That's where Monday, Monday, released by The Mamas and the Papas in 1966, is a gem. It gets the point across with such gentle perfection that the listener couldn't possibly hear the song without smiling, even if they are reminded of what day it is.

In primary school, I had an eccentric teacher who was a brilliant pianist and musician. I remember one afternoon him playing Monday, Monday repeatedly while we were working in class. He'd point out interesting things to listen to, much to the chagrin of my classmates: "... and now another harmony comes in", "oh, beautiful" and "wait for the break - ahhh!". Years later, when I fell in love with this song for myself, I realised he had a point. Several, in fact.

The harmonies are indeed superb. I've practised each harmony line individually and still find myself choosing one to sing whenever I hear the song played. It's fun to listen to in stereo; just block off a side and you get either male or female parts. Monday, Monday. Can't trust that day.